Skip to main content

The 奇翻 Kihon of 宝剣 Hōken

sky pots, at 赤門勝専寺浄土宗 photo by Michael Glenn
There are mysterious and strange surprises when studying the Bujinkan and what it means to be ninja. But the deeper you go, the more you find it is all connected. The mysterious evolves from the not so mysterious. Like kihon.

Let's consider the kihon of muto dori. On its surface, it seems simple. Evade when the sword cuts.

But this is reasoning from analogy. You know that when you don't move you will get hit or cut, because that has happened in the past or in other situations. But what is so amazing about the teaching Hatsumi Sensei has shared with us, is that we don't reason from analogy. We don't do things because that is the way they've always been done before. That produces a dead and lifeless art.

Hatsumi Sensei has written kihon as 奇翻, which suggests an odd turn, or a tricky mind with wondrous power. So, maybe we should reason from first principles instead.

So again, with muto dori, what is the first principle? The sword cut? Or the person cutting?

Why are they cutting? It is their mind or spirit that has made this decision. Their will controls the blade. While our spirit is in danger from it. All are linked and connected.

This kind of thinking will get you in trouble in a fight. But in training, it shines light on strategies that we can actually work on. So when the time comes, we do not sever the connection as Soke often advises.

Let's flip it. You hold the sword. How do you cut?

In our training we study how to cut with good taijutsu. Your taijutsu comes from your own mind, will, life force, or spirit… whatever you wish to call it.

Then we target our opponent and cut. You see how an inanimate object like a sword is connected through your will to cut the opponent and his will to survive? Everyone in the fight is connected this way.

Soke sometimes calls this 繋がり tsunagari, which is a connection, link, or relationship. He always tells us not to cut this connection. In fact, we train to use it for many amazing results in combat or in our lives.

Hatsumi Sensei has also shown us how to do muto dori this way. He calls this 影の無刀捕秘剣。I won't say more about this here, but...

If you hold a sword in your hand with this feeling, that sword becomes something much more than an inanimate piece of metal. It becomes 宝剣 hōken. With this you can cut away the illusion of all obstacles.

Comments

Popular posts from this blog

Japan Report One 令和5年

Every Bujinkan trip I make to Japan feels like a gift. And I always share that with you all in my Japan reports. This trip, I decided to video a lot. Like every day. So there will be quite a few of these. The only issue is that it takes me time to edit all of this video, so these Japan reports may spread out into next year. The first video is here:  Japan Report One 令和5年 The first day of any Bujinkan trip to Japan starts with a marathon. 20 hours of travel by Plane train, and automobile. Also, a lot of walking with a heavy backpack up and down stairs, through airports and train stations, and of course to the Honbu Dojo! Because I’m crazy, I arrived at the airport and went straight to Noguchi Sensei’s class. The class was smallish, maybe 20 people. I was a little shaky on my feet so I slammed some milk tea to get my energy back up. I partnered with Mario From Croatia. Noguchi began with 中伝之捌型 Chūden no Sabaki Gata from 高木揚心流 Takagi Yoshin Ryū. He put a lot of focus into what the opposit

Bujinkan Daikomyosai Party and Training Themes from Japan

What are the current Bujinkan Themes? For my second week of Japan training, I begin with a visit to 上野東照宮 Ueno Tōshōgū. This shrine was built in 1627, and enshrines Tokugawa Ieyasu. I have visited many times, but they did an extensive remodel a few years ago. This was my first time going beyond the 唐門 Karamon and into the grounds. The entire 本殿 Honden is covered in gold leaf and looks spectacular with the gingko leaves fluttering down around me. Michael Glenn at 上野東照宮 Ueno Tōshōgū Later that night, I arrived a bit early for Nagase Sensei’s class. He had moved the class time back 45 minutes so I took the opportunity to review my notes from the prior class. He has been working with 十方折衝 juppō sesshō and the directions for 天地人 Tenchijin and the sanshin within it. He described many aspects of Tenchijin. He would control his opponent at three points, high, middle, and low. He told us the Ten direction is 天照大御神 Amaterasu ōmikami. The Chi direction is 国常立尊 Kunitokotachi no mi

Bujinkan 鎖分銅 Kusarifundō: Truth and Falsehood

Buki-mobile at 鎌倉・山海堂商店, photo by Michael Glenn Do you know the deepest levels of 虚実 kyojitsu lead down the path of 捨て身 sutemi? In a recent class I shared a dimension of kyojitsu that I’ve only ever heard expressed from Hatsumi Sensei. But is anyone willing to take this path? During my class demo, I shot the weight of the 鎖分銅 kusarifundō out into the face of my opponent. A surprise 中振 nakafuri strike, but my use of it was for kyojitsu. The sound of the chain and the weight act as 目潰し metsubushi and caught the opponent’s attention. These sensations hid my next move. It isn’t very safe to use a real kusarifundō in class. Unless your training partner likes dental work or a busted eyebrow, it is safer to use a short cord to practice. But then I noticed my students were missing a key aspect of this type of kyojitsu. Most people think of kyojitsu as being a feint or fake. You mislead and distract the opponent from your real strategy. Many students stop there by using a fake-out. But, for kyo